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Yuvraj Singh’s 4. Delhi Daredevils however chased down the total, thanks to a crucial unbeaten 2. Corey Anderson. Karun Nair chipped in with 3. Rishabh Pant scored 3. 159shares Share Tweet Although planning a trip alone isn’t very interesting, it can certainly be more absorbing. It takes a lot of efforts to identify the right. IPL full score, Delhi Daredevils vs Sunrisers Hyderabad: DD beat SRH 6 by wickets An overall team performance from Delhi Daredevils helped them beat. Sexy Hot Delhi Escorts Indian Russian Uzbek Call Girls in Delhi for Sex Dating WhatsApp +919953871941. The only Genuine Russian Escorts in Delhi since 2008. Find the latest classified ads for flats, jobs, cars, motorbikes, furniture, tools, personals and more for sale in Delhi. Find buyers and sellers that suit your need. Shreyas Iyer scored 3. Get highlights of Delhi Daredevils vs Sunrisers Hyderabad here. Do join us for tomorrow’s live coverage of Kolkata Knight Riders vs Rising Pune Supergiant at Eden Gardens, Kolkata. IST: Mohammed Shami: “I’m playing after a long time, and this performance will lift my confidence levels. Watch Delhi Belly full movie online (HD) for free only on OZEE! XNXX.COM 'xx movie full hindi' Search, free sex videos.In the T2. 0 format, you don’t think about runs as a bowler. We just wanted to use the new ball well, not give too much pace, so it would be good for us to mix up our pace. I had different plans for each batsman - whether the batsman moves around or stays still, I stick to my plan, and the rest comes down to luck.”1. IST: Mohammed Shami is Man of the Match. IST: Delhi Daredevils captain Karun Nair: “Very happy. I think the bowlers gave it their all, and if we had caught that catch they wouldn’t have got that far. We told ourselves, we are a young team, and we should play like a young team. Go out there, play without fear. Bit disappointed to get out after getting a start, but glad to get some runs finally and hoping to kick on from here.”1. IST: With this win, Delhi moves up to sixth with 6 points from nine matches. Half Girlfriend movie review: What exactly is Half Girlfriend? Arjun Kapoor's Bihari boy Madhav Jha and Shraddha Kapoor's Delhi girl Riya Somani are as clueless as us. The Delhi Airport Metro Express (DAME) is a Delhi Metro line from New Delhi Metro Station to Dwarka Sector 21, linking the Indira Gandhi International Airport. With Imran Khan, Vir Das, Kunaal Roy Kapur, Shenaz Treasury. Delhi-based Sonia agrees to deliver a package for Vladimir Dragunsky and asks her rather unkempt and debt. The Punjab police on Sunday joined the CRPF and the Delhi police in presenting a joint guard of honour to former DGP Punjab KPS Gill at his funeral. Sunrisers Hyderabad are third with 1. IST: SRH captain David Warner: “It’s been a little bogey, playing away. The wicket sort of held up a little bit, early on, and we thought 1. They played really well to win it. The slower balls were holding up a little, and we didn’t want to be too predictable, but we maybe bowled too many quicker balls today.”1. IST: This was Delhi Daredevils’ first win against Sunrisers Hyderabad at home. IST: And DD win it! Anderson swats Henriques for a boundary. DD win with five balls to spare. Need 1 off 6. 11. IST: SIX! Short from Kaul. Easy for Morris. 1. IST: Kaul concedes two off two. DD have it easy now. SRH need a miracle. IST: DD 1. 74/4 after 1. IST: SIX! Bhuvi not getting it right this match. Too wide, giving Anderson freedom to swing his arms. IST: FOUR! Bhuvi tries a yorker but Anderson, trying to get his leg out of the way, gets an inside edge. IST: FOUR! Morris picks the short and slower one and pulls it between deep midwicket and deep backward square leg. DD 1. 62/4, need 2. Anderson 2. 3, Morris 6. IST: SIX! Anderson swings his bat, deposits Siraj over square- leg boundary. IST: Siraj bowling full. SRH won’t mind the singles as long as the boundaries are prevented. IST: Iyer tries to make room but Bhuvi follows him with a shorter delivery. Iyer almost guided it straight to Siraj. IST: OUT! Bhuvneshwar strikes! S Iyer c Siraj b Kumar 3. DD 1. 48/4 after 1. IST: Bhuvi is back. Concedes four runs in three balls. IST: Lovely over from Rashid Khan. Only five runs from it. DD 1. 42/3 after 1. Iyer 2. 9, Anderson 1. IST: Good bowling from Rashid Khan. Two runs in three balls so far. IST: SIX! Kaul bowled fuller to Anderson. Anderson clears his front leg and smashes him over long- on. DD 1. 37/3 after 1. Need 4. 9 off 3. 6 balls. IST: End of 1. 3th over. Delhi Daredevils 1. Iyer 2. 3, Anderson 2. IST: SIX! Shorter from Yuvraj, gives Iyer enough time to rock back and pull him. IST: SIX! Iyer lays into Yuvraj. IST: After 1. 2 overs, DD 1. Need 7. 7 off 4. 8. Iyer 9, Anderson 0. IST: OUT! R Pant b Mohammed Siraj 3. DD 1. 09/3 in 1. 1. Siraj was too quick for Pant as he breached his defence before even the bat came down. IST: SIX! Pant swivels and almost loses balance but not before depositing him over suqre- leg boundary. IST: DD 1. 01/2 after 1. Pant 2. 7, Iyer 7. IST: DD 9. 6/2 after 1. Pant 2. 4, Iyer 6. DD need 9. 0 from 6. IST: FOUR! Iyer this time. Easy boundary towards long- on. IST: FOUR! Full and wide. Pant again goes over cover. IST: FOUR! Henriques bowls a bouncer to Pant. Pant slpas it over extra- cover. IST: DD 8. 0/2 after 9 overs. DD need 1. 06 off 6. Pant 1. 4, Iyer 1. IST: FOUR! Rashid Khan again tosses up the ball and Pant sweeps hard. IST: DD 7. 3/2 after 8 overs. Need 1. 13 from 7. Pant 8, Iyer 0. 1. IST: Full and wide from Kaul. Karun slaps it but doesn’t get past Bhuvi at long- off. IST: OUT! Nair c Kumar b Kaul 3. DD 7. 2/2 in 7. 4 overs. IST: DD 7. 0/1 after 7 overs. Nair 3. 8, Pant 7. IST: FOUR! Rashid Khan welcomed with a boundary. Pant sweeps hard to get his first boundary. IST: FOUR! Short ball, dealt well by Nair. DD end 6th over on 6. Nair 3. 6, Pant 2. IST: SIX! Nair again moves away from leg stump and hits bowler straight over his head. IST: FOUR! Nair flicks Henriques over short fine- leg. IST: DROPPED! Nair moves across the stumps and tries to chip but Bhuvi fails to grasp what should have been an easy catch. Ball goes in and comes out. Disappointing. DD 4. Nair 2. 1, Pant 1. IST: FOUR! Nair lifts Siraj’s slower delivery over the covers. Ball limps to the boundary rope. IST: Samson was early into Siraj’s slower delivery. Miscued shot, easy catch at cover point. IST: OUT! S Samson c Dhawan b Mohammed Siraj 2. DD 4. 0/1 in 4. 1 overs. IST: FOUR! Nair follows up the six with a straight drive past Kaul. Kaul’s hard work is undone. DD 4. 0/0 after 4 overs. Samson 2. 4, Nair 1. IST: SIX! Short one from Kaul. Nair just guided it over wicketkeeper’s head for six. IST: Just one run off three deliveries from Siddharth Kaul. He would like to finish this over on a high. IST: After 3 overs, DD 2. Samson 2. 3, Nair 5. Samson finishes over with another boundary. IST: FOUR! Samson punches Bhuvi through covers. Classy shot. 9. 5. IST: Solid start for DD. Samson 1. 1, Nair 5. IST: FOUR! Nair gets into the act now, flays Siraj over covers. IST: SIX! Samson welcomes Mohammed Siraj with a huge six. Stand- and- deliver from Samson, picks Siraj early and hits him over long- on. IST: Tight over from Bhuvi. DD 3/0 after 1 over. Samson 3, Nair 0. IST: Bhuvneshwar opens the bowling against Samson. IST: Yuvraj Singh after his innings. Williamson was batting so well so I thought I’ll pace my innings. Warner and Dhawan gave us good starts. When you get time, you need to make the most of it. Happy that I got time in the middle. I said to him if we try to get around 1. But if we try 1. 80, we might end up getting 1. Delhi has got the best bowling attack in the IPL. They’ve got very good international bowlers. You have to be smart and wait for the loose balls.”9. IST: Won’t be a good night for Sanju Samson if SRH win here. Samson had dropped Yuvraj on 2. Delhi Daredevils pay through their nose. IST: Sunrisers Hyderabad 1. Yuvraj 7. 0* off 4. IST: FOUR! Final blow from Yuvraj. Four boundaries this over and Sunrisers Hyderabad have cantered to 1. Yuvraj 7. 0* in 4. IST: FOUR! Sloppy fielding from Jayant Yadav. Thick edge to third man but Jayant overruns it. Rabada is distraught. PM IST: FOUR! Half volley and Yuvraj up to it. IST: FOUR! Yuvraj in full flow here. Free hit as well. Sunrisers Hyderabad 1. Yuvraj 5. 3, Henriques 2. IST: FOUR! That’s Yuvraj Singh’s 2. T2. 0 fifty. Came off 3. IST: FOUR! Lovely placement. Yuvraj moves to make room and beats short third man. IST: Very good over for SRH. SRH 1. 53/3 after 1. Yuvraj 4. 3, Henriques 2. IST: FOUR! Henriques places Rabada past point. IST: SIX! Bread and butter shot for Yuvraj. Rabada was slightly fuller. Yuvraj just flicked him effortlessly. IST: FOUR! Henriques picks easy boundary off Rabada to fine- leg. IST: After 1. 7 overs, SRH 1. Yuvraj 3. 2, Henriques 1. IST: DROPPED! Yuvraj Singh dropped on 2. Yuvraj tries to pull but only gets a top edge. Sanju Samson however fluffed the catch big time. Yuvraj manages a pull but Angelo Mathews throws himself at deep square boundary. Couldn’t save it though. SRH 1. 26/3 after 1. Yuvraj 2. 8, Henriques 9. IST: FOUR! Shami strays on to Yuvraj’s pad. Yuvraj glances it fine for easy boundary. IST: End of 1. 5th over. Yuvraj 1. 9, Henriques 7. IST: FOUR! Yuvraj Singh muscles Mishra to long- on boundary. IST: Amit Mishra again. Yuvraj’s discomfort against spinners is well known but he must lead the charge. IST: SRH 1. 06/3 after 1. Yuvraj 1. 4, Henriques 5. IST: FOUR! Yuvraj digs out a full delivery from Shami over his head. IST: SRH 9. 8/3 after 1. Yuvraj 8, Henriques 3. SRH losing the momentum. Good partnership need of the hour for them. IST: Moises Henriques in. Amit Mishra going through his over quickly now. IST: Huge wicket for Delhi Daredevils. Williamson got into position a little too early. Couldn’t connect the pull properly. The delivery anyway was quite wide. Big leading edge that was pouched safely by Chris Morris at deep square- leg. IST: OUT! Williamson c Morris b Shami 2. SRH 9. 2/3 in 1. 1. IST: Mohammed Shami back into the attack. Some pace for SRH to use. PM IST: After 1. 1 overs, SRH 9. Williamson 2. 3, Yuvraj 4. IST: FOUR! Williamson rocks back and plays Mishra late past short third man. IST: Jayant Yadav completes his quota. His figures are 4- 0- 2. SRH 8. 3/2 after 1. Williamson 1. 7, Yuvraj 3. IST: Nine overs gone. Williamson 1. 5, Yuvraj 1. IST: Dhawan’s shot didn’t have the power to cross the rope. Easy catch for Iyer at deep square. IST: OUT! Commentator’s curse I guess. Dhawan gone for 2. SRH 7. 5/2. 8. 3. IST: Amit Mishra in. IST: Expect no shortage of boundaries when Kane Williamson is around. A partnership is key for SRH though and Dhawan is perfect for the anchor’s role. IST: Timeout. SRH 7. Dhawan 2. 8, Williamson 1. IST: SIX! Williamson gets down on his knee to deposit Jayant over deep fine- leg boundary. IST: Jayant’s third over. Williamson goes for a heave but completely misses the connection. Big turn for Jayant. IST: Quiet over from Chris Morris. Only one run. SRH 6. PM IST: FOUR! Dhawan doesn’t allow Warner’s dismissal to bog him down. SRH 6. 6/1 after 6 overs. Dhawan 2. 7, Williamson 5. IST: Lovely yorker from Mohammed Shami that caught Warner on the move. Timely breakthrough for DD. IST: OUT! D Warner b Mohammed Shami 3. SRH 5. 3/1 in 5. 2 overs. IST: After 5 overs, SRH 4. Delhi News, Latest Delhi News Headlines & Live Updates. We have noticed that you have an ad blocker enabled which restricts ads served on the site. Please disable to continue reading. The Worldwide Celluloid Massacre. THE WORLDWIDE CELLULOID MASSACRE. An encyclopedia and film- diary of extreme, surreal and bizarre movies. Contact: movies at thelastexit dot net. Last updated: 3rd June, 2. Movies: 2. 83. 7. These pages contain a collection of concise reviews for movies and film- makers that are extreme in various ways. This is an encyclopedia (up to 2. Dadaists and Surrealists. Rather than succumb to a vague, subjective and meaningless classification, this site makes use of the following dictionary. Of a character farthest removed from the ordinary', and 'exceeding the bounds of moderation'. It focuses on movies with extraordinary content that is. Therefore, as opposed to a populist viewpoint that assumes extreme cinema. For a personal manifesto on extreme movies and why I watch them, try. The movies should make one feel unusually disturbed, right- brain challenged, or confused. Many movies nowadays have disturbing, bleak. Correspondingly, although many horror movies have gore, what counts as far as this site is concerned is that the movie revels in it and gives it top. Movies that were extreme for their time, or milestones in extreme cinema may be included as well. In some cases, you may feel that the director/writer may be. They are not recommended to the faint of heart, the prude, the morally righteous or the. Hollywood aficionado. Independent cinema showing the latest movies and arthouse films in 35mm and digital formats in Ambleside the Lake District. Pre-Code Hollywood refers to the brief era in the American film industry between the introduction of sound pictures in 1929 and the enforcement of the Motion Picture. These pages contain a collection of concise reviews for movies and film-makers that are extreme in various ways. This is an encyclopedia (up to 2016) of fringe. Martin Scorsese and Giorgio Armani In 1990, a Martin Scorsese short documentary about Giorgio Armani, titled Fatto a Milano (Made in Milan) was released. Extreme short movies and short- film- makers are usually not. I simply classify a movie as either. The reviews are deliberately concise. For more information and reviews, click on the IMDB links. I don't make any attempts at objectivity, and there are bound to be many strong disagreements. If you want to know how big a grain of salt to take my reviews with, this is my taste in general: I generally. Classics receive the same level of criticism and are not given special treatment just because they are. Do not expect my opinions to coincide with underground movie trends just because I watch underground. Low budgets are fine but not if the writing and acting are lacking. I have very high standards for the 'Recommended' listings. My likes and criticisms are pretty consistent and therefore could be used as. Also see the Honorable Mention section for names just beyond the scope of. Feel free to e- mail me with feedback. Reviews may be improved. It has no commercial aspirations, as is evident by the lack of advertising, and it has no goals to. It is what it is. The 3. 0 Best Movies About Depression « Taste of Cinema. Even though once considered taboo, depression is a common theme in cinema and so is a central subject in many great films. This list narrows the huge spectrum of unhappiness by limiting it to endogenous depression and that caused by traumatic experiences, bad relationships, or anxiety. The list intentionally does not include depression that is due to addiction or disability (so no “My Left Foot” or “Nymphomaniac” etc.) or depression caused by another mental illness like bipolar disorder, obsessive compulsive disorder, schizophrenia – unless it is dually diagnosed or misdiagnosed (like “An Angel At My Table” or “Numb”) since these can have their own lists. Most protagonists are writers, wannabe writers or other kinds of artists. The films are not necessarily depressing themselves and can offer some resolution. Sometimes even taking a comedic outlook on topics like suicide and self- harm as shown in “Little Miss Sunshine”, “It’s a Kind Of A Funny Story” and “The Skeleton Twins”. NAZI EXPLOITATION CINEMA. THE LAST ORGY OF THE THIRD REICH Dir: Cesare Canevari -Magnum Video- Arguably the most graphic and disturbing film in the cycle, this one.However, most of the films are mostly concerned with realism and characters rather than dramatic stories that serve as justification for depression. The Hours (2. 00. Stephen Daldry’s Academy Award nominated adaptation of the Pulitzer Prize- winning novel of the same name focuses on three depressed women from different eras during a single day. Alternating between writer Virginia Woolf (Nicole Kidman in her Oscar winning role) in 1. Laura Brown (Julianne Moore) in 1. New Yorker Clarissa Vaughan (Meryl Streep) in 2. Woolf’s novel “Mrs. Dollaway”. While Virginia writes it in her sections, Laura reads it and is influenced by it in hers and Clarissa seems to be the embodiment of the novel’s character herself, as highlighted when her best friend and former lover Richard (Ed Harris), a poet living with AIDS, frequently calls her “Mrs. Dollaway”, especially when she is busy planning a party for him when he receives a major literary award. The three interrelated stories are incredibly balanced and bring out each protagonist’s depression in both clear and understated ways. Each woman, despite being genuinely cared for, breaks down and tries her best to put herself back together. Stressed by a Philip Glass score and an ensemble cast including Toni Colette, Claire Danes, Alison Janney, Jeff Daniels, Stephen Dillane and Miranda Richardson, the film is hardly a traditional view of mental illness and depression but remains an original interpretation. Melancholia (2. 01. Lars von Trier’s art film is set against a backdrop of uncertainty, anxiety and impending destruction as a rogue planet gas giant, called Melancholia, is approaching the Earth and may or may not collide with it. Divided into parts or chapters (like most of von Trier’s films) the first half is dedicated to the depressed and unstable Justine (Kristen Dunst) on her wedding day, while the remainder is from her sister Claire’s (Charlotte Gainsbourg) perspective shortly after the event. The second film in von Trier’s unofficially titled “Depression Trilogy” (all starring Gainsbourg), is inspired by his own depression and his observation that depressed people, often apathetic and lethargic, can remain calm even in disastrous situations, like an apocalypse. As the planet draws closer, Claire becomes increasingly anxious and afraid and so does her husband John (Kiefer Sutherland) although he pretends to be certain that it will be a fly- by in front of his family. Justine, however, becomes peaceful as the promise of destruction seems to mute the voices in her head. Kristen Dunst realistically portrays Justine’s sudden depressive episode during her wedding which is triggered by her parents’ (John Hurt, Charlotte Rampling) disappointment with her for marrying Michael (Alexander Skarsg. Dunst is set apart from her previous roles through her bold disinhibition and catatonic behavior. It’s A Wonderful Life (1. Frank Capra’s American Christmas classic stars James Stewart as the iconic George Bailey, a selfless man who has sacrificed all his dreams so as to help others in need. However, his long list of altruistic deeds just prolong his quest for happiness, leaving him depressed and suicidal. Portrayed through a series of flashbacks, the film opens with the beginning of the third act showing George about to jump off a bridge. George’s prayers reach Heaven, and an angel Clarence Odbody is assigned to save him. In order to do so, Clarence sees George’s entire life (with the audience) before meeting him. Through these memories, we learn that even in his childhood he did his best to help others like saving his younger brother’s life, costing him his hearing in one ear. He gives up his dream of travelling around the world to work at his family business, the Bailey Brothers’ Building and Loan when his father dies. When economic difficulties strike and money problems become a bigger problem, George become responsible for the entire town and cannot handle the pressure and the risk of failure. Realising that with a life insurance policy, he is worth more to the community dead than alive, he drunkenly wanders to the bridge back to the beginning, where the angel shows him a parallel world of what things would be like if he was never in it. A Single Man (2. 00. Set across one day in 1. Southern California, George Falconer (Colin Firth in his Oscar nominated role) is a depressed, gay English university professor who is planning on this particular day being his last one. With Firth’s patient voice- over and a couple of flashbacks, it is revealed that his partner Jim (Matthew Goode) of 1. In the fashion designer turned director Tom Ford’s debut, the color palette and production design (Dan Bishop) is fundamentally basic to the film. The editorial application of color and extremely tight close- ups of facial features depends on beauty and human connection. When he sees and converses with his handsome student Kenny (Nicholas Hoult), the color becomes overly saturated, especially when contrasted with the dull monochromatic tone of the screen when George is by himself. Besides the narrative and the cinematography, the Abel Korzeniowski score finds rare beauty in the ordinary daily events of George’s life since each will be happening for the last time. The Virgin Suicides (1. Sofia Coppola’s debut film based on the novel of the same name centres around the five blonde, beautiful and young Lisbon sisters (Leslie Hayman, A. J Cook, Chelse Swain, Kirsten Dunst and Hanna R. Hall) from the perspective of a group of infatuated neighborhood boys (including Jonathon Tucker and Robert Schwartzman – Coppola’s cousin). Set in the suburbs during the 1. Giovanni Ribisi who portrays the adult version of one of these boys. He acknowledges the facts and theories he and his friends have created that could possible explain the enigmatic events that surrounded these sisters, and how they had a profound influence over the rest of their lives. Opening with the youngest 1. Air and the decaying setting of trees dying along with the protagonists. The girls’ overprotective and severely strict parents (James Wood, Kathleen Turner) ironically make their children more depressed by isolating them not only from boys but also from school. Their desperation is only relieved through outlets such as communicating with their admirers through Morse code, playing songs over the telephone and throwing out notes through their windows in hope that they would find them. However, their means of liberation from seclusion and loneliness become more dangerous as the film progresses. Ordinary People (1. Robert Redford’s Oscar winning directorial debut deals with the aftermath of the death of one of the teenage sons of a respectable upper- middle class family. The remaining younger son, Conrad, (Timothy Hutton) who was with his brother when he died during a sailing accident, becomes severely depressed from both his grief and his survivor’s guilt – so much so that he attempts to kill himself and ends up staying in a psychiatric hospital for four months. The film’s timeline begins when Conrad returns home and feels estranged from his parents (Donald Sutherland, Mary Tyler Moore), his friends, and his past interests. He starts seeing a psychiatrist, Dr. Berger (Judd Hirsch) whose unconventional methods try to make him deal with emotions. While his father tries to reconnect with his son and help try re- establish a new norm for the family, his mother denies the loss of her favorite child and continues to ignore all upsetting news, including Conrad’s suicide attempt. The Royal Tenenbaums (2. This depressive dark comedy is Wes Anderson’s third feature film which earned him and his frequent co- writer Owen Wilson an Oscar nomination for their screenplay. Highlighted by an ensemble cast, the head of this dysfunctional family is Royal Tenenbaum (Gene Hackman in his Golden Globe winning role) whose favoritism, insensitivity and narcissism leads him to be the central antagonist of his family. Hated by his wife Ethaline (Angelica Huston) and all of his once- genius children, he attempts to reconnect after 2. Ethaline has become engaged to her co- worker (Donald Glover). However, once Ethaline refuses to speak to him, he claims to have stomach cancer so as to be accepted back into her and his children’s lives. The three adult children now deal with depression individually. Especially when compared to their successful childhood where they were all prodigies, their lives have become empty and un- extraordinary. Chas Tenenbaum (Ben Stiller) is the math and business genius who bred Dalmatian mice and sued his father and had him disbarred after Royal stole from him when he was 1. Although still professionally successful, his life plateaued after his wife died in a plane crash. This subsequently made him obsessive and extremely overprotective about the safety of his two sons. Listen to new Bhojpuri songs for free @ Saavn.com. We have the latest Bhojpuri movie songs online. Bhojpuri Video Songs . Here you will be getting all the latest and hit videos songs collection on our website. 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Lovecraftian games on Steam. Baobabs Mausoleum Ep. Demonology list with 382 demons, devils, & evil spirits with demon names, descriptions, images, & demon name meanings. Evil names list. Tommy Wirkola Describes Lovecraft, Writer: Justice League. Born in Providence, Lovecraft was a sickly child whose parents died insane. When he was 16, he wrote the astronomy column in. All rights reserved. All trademarks are property of their respective owners in the US and other countries. I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. Lovecraft to Frank Belknap Long, February 27, 1931. Top 1. 0 Great Horror Movies You've Never Heard Of. Movies and TVBenjamin Welton. December 2. 9, 2. Not everyone loves horror movies or even a good scare. However, those who do enjoy the genre tend to be diehards. Many are walking encyclopedias, with names of directors and actors always ready to roll off the tongue. Prepare to be terrified as we have a selection of scary movies on Netflix you can watch right now! Howard Phillips Lovecraft (/ Still, there are some movies that manage to sneak below eyesight and become little- known cult classics. The following 1. 0 films are true gems of cinematic horror that don’t get as much recognition as they deserve. The Wailing. The Wailing, the most recent film on this list, was released in a limited run in the US in 2. The film tells the story of Officer Jong- goo (played by Kwak Do- won), a police detective who travels to a secluded mountain village in rural South Korea. A rash of violence has recently struck Goksung, and many blame a recent arrival who only speaks Japanese (played Jun Kunimura). A tense and taut thriller, The Wailing examines how murder can tear apart a community. The Wailing is a good introduction to modern Korean cinema. Director Na Hong- jin, whose other titles include The Yellow Sea and the excellent serial killer flick The Chaser, is a master craftsman who uses stunning visuals to heighten the sense of paranoia that his films invariably contain. Also, while watching The Wailing, try to count the scenes which remind you of Seven, David Fincher’s ode to neo- noir. The Wailing is currently available on Netflix. Planet Of The Vampires. Italian director Mario Bava is lauded as a true visionary. His 1. 96. 3 film The Girl Who Knew Too Much kick- started the giallo genre of crime films, while his 1. Bay of Blood (aka Twitch of the Death Nerve) provided the blueprint for the later Friday the 1. Bava was at the height of his powers in the mid- 1. During that time, he made several critically acclaimed films, from Blood and Black Lace to Black Sabbath. A film that is often overlooked is 1. Planet of the Vampires. An Italo- Spanish production, Planet of the Vampires is a moody, Gothic story set in outer space. Like most of Bava’s films, the cinematography is exquisite. Unlike other Bava films, the plot of Planet of the Vampires is clear, although slightly ridiculous. In short, during a rescue mission, a spaceship’s crew discovers a planet full of fog and vampire- like inhabitants known as the Aurans. Many have pointed out that Planet of the Vampires clearly influenced the creators of Aliens. The Living Skeleton. In the late 1. 96. Shochiku Studios, the oldest film studio in Japanese history, began experimenting with outlandish sci- fi and horror films to stay relevant. Between 1. 96. 7 and 1. The X From Outer Space, Goke, Body Snatcher From Hell, Genocide, and The Living Skeleton—reached widespread audiences in both Japan and North America. Of the foursome, The Living Skeleton is not only the best but the most unique. While the other three pack quasi- political messages into somewhat surreal films about human extinction, The Living Skeleton is a gloomy black- and- white masterpiece about a ghost’s revenge. Years after pirates murdered the entire crew of the Dragon King, Saeko (played by Kikko Matsuoka) decides to board the skeletal ship when it suddenly appears in the harbor outside the Catholic church where she lives. Down in the ship’s hull, she somehow becomes possessed by the spirit of her murdered sister and starts picking off the pirates one by one. The Living Skeleton is Japanese pulp cinema at its finest. Kuroneko. Kuroneko (“The Black Cat”) is an eerie revenge story set during Japan’s Heian period. The film begins brutally when soldiers rape and murder Yone (played by Nobuko Otowa) and her daughter- in- law Shige (played by Kiwako Taichi). Before the bodies grow cold, however, a mysterious black cat licks the dead women. Somehow this revives their spirits, and in death, Yone and Shige become avenging angels who lure soldiers and samurai to their doom. Directed by Kaneto Shindo, Kuroneko proves that horror films can be art films, too. A mostly subtle film, Kuroneko provides an interesting look at the Japanese New Wave of cinema and some of the darker elements of Japanese folklore. The Invitationhttps: //www. VZxl. Phmi. YAs modern culture is about instant gratification, few moviegoers have much patience. This is a shame because many of yesteryear’s greatest films are slow burns. They take their time in describing all the tendrils connected to the main plot. The Invitation is a slow- burn thriller set in the mountains overlooking Los Angeles. For a majority of the film’s runtime, director Karyn Kusama focuses her energy on the tortured inner life of Will (played by Logan Marshall- Green). A father who witnessed the death of his child, Will struggles with trying to rationalize why his ex- wife Eden (played by Tammy Blanchard) lacks the same depression that he cannot overcome. As the viewer learns before Will does, Eden’s happiness has a lot to do with an end- of- life cult she joined while living in Mexico. In a shock ending, The Invitation makes overt nods to the murders of the Manson family and suicide cults like Heaven’s Gate. The House Of The Devilhttps: //www. SOur. 3Ww. Zv. MReleased in 2. The House of the Devil aspires to be a throwback horror flick. Everything from its coloring to the use of opening credits screams 1. However, one shouldn’t be fooled into thinking that director Ti West’s movie is just a cheesy, John Carpenter- esque knockoff. The House of the Devil is a creepy slow burn that places emphasis on building dread and isolation. Set on a deserted college campus in Connecticut, The House of the Devil follows Samantha (played by Jocelin Donahue), a student who takes a housesitting job to make money to pay for a deposit on a new apartment. Unfortunately for Samantha, her night in the secluded house coincides with a lunar eclipse. As for the homeowners, they’re far from normal. A paean to the Satanic panic of the 1. The House of the Devil effectively uses silence to increase terror. Torso. As already mentioned, the giallo genre is native to Italy. Giallo, which has its roots in the pulp paperback industry before World War II, saw its apex during the 1. Most giallo films are sordid, sleazy affairs about lust murderers in ski masks and black gloves. Every giallo film attempts to show the salacious side of life, from small town depravity in 1. Don’t Torture a Duckling to underage prostitution and illegal abortions in 1. What Have They Done to Your Daughters? Torso, directed by Sergio Martino and released in 1. A lot of this has to do with the fact that the crimes of Torso mirror the real murders of the contemporary Monster of Florence. At one point, the film’s killer targets a couple having sex in a parked car. This is exactly how the real murderer operated. Similarly, the film’s action takes place in Perugia, an Umbrian college town not far from Florence. For interested viewers, pay close attention to the brilliant sequence involving a woman who tries to free herself from a locked room just above the killer. Prince Of Darkness. Although it was not John Carpenter’s first movie, 1. Halloween cemented his place as a brilliant horror director. Later films—such as 1. The Fog, 1. 98. 1’s Escape From New York, and 1. They Live—only served to heighten widespread appreciation for Carpenter’s skills as both a director and musician. One Carpenter film that is consistently overlooked is 1. Prince of Darkness. Released almost a full decade before In the Mouth of Madness, Prince of Darkness is Carpenter’s first foray into Lovecraftian horror. Set in Los Angeles, Prince of Darkness involves a team of researchers who are hired to study a strange canister that had been protected for centuries by a reclusive Catholic order. As it turns out, the canister’s contents hold the key to summoning the Anti- God, an ancient deity worshiped on Earth before the coming of the Biblical Jehovah. This sets in motion the apocalypse, which may or may not come to pass. Without a doubt, Prince of Darkness is Carpenter’s most unsettling film. The Blackcoat’s Daughter. When it was released in 2. The Blackcoat’s Daughter made little waves in North America. Unless you happen to live in a big city, it’s likely that you missed its limited run. The Blackcoat’s Daughter is a disturbing indie horror film set during a harsh winter in upstate New York. During winter recess, two girls—the senior Rose (played by Lucy Boynton) and the odd freshmen Kat (played by Kiernan Shipka)—spend the weekend alone in their dorms while they wait for their parents to arrive. The outgoing Rose hates the fact that she’s been assigned to watch over Kat. As for Kat, she is knee- deep in demonic possession. Told between flashbacks and a second story line set years later, The Blackcoat’s Daughter contains all the paranoia of a locked room mystery with the unending tension of a possession movie. Add in the spice of ritual murder, and you have a recipe for a great horror film. Be forewarned: This film is currently hard to find. Kill List. Ben Wheatley is a good name to remember. This British director has been responsible for several indie thrillers that have rocked audiences. In 2. 01. 2, Wheatley directed the horror comedy Sightseers. A year later, he made his crowning achievement with A Field in England, a film about rogue soldiers and an alchemist during the English Civil War. Before both of these films, Wheatley made an almost perfect horror film called Kill List. An ode to the rural horror films made in Britain during the early 1. Kill List involves two hit men—one Irish and one English—who are hired by an unnamed client to knock off several individuals. Once the killings begin, the hit man Jay (played by Neil Maskell) begins to notice something strange. Namely, all the victims, from a pedophile to a disarmingly friendly priest, greet their killers warmly right before their executions. They welcome death because, as the hit men find out, rural England is ruled by a death cult. The Mist (film) - Wikipedia. The Mist (also known as Stephen King's The Mist) is a 2. American science- fictionhorror film based on the 1. Stephen King. The film was written and directed by Frank Darabont, who had previously adapted King's works into The Shawshank Redemption (1. King's 1. 98. 2 novella) and The Green Mile (1. King's 1. 99. 6 novel). Darabont had been interested in adapting The Mist for the big screen since the 1. The film features an ensemble cast including Thomas Jane, Marcia Gay Harden, Samuel Witwer, Toby Jones, and future The Walking Dead actors Jeffrey De. Munn, Juan Gabriel Pareja, Laurie Holden, and Melissa Mc. Bride. Filming for The Mist began in Shreveport, Louisiana, in February 2. The film was commercially released in the United States and Canada on November 2. Darabont has since revealed that he had . While the film's cinematic release was in color, the director has described the black and white print (released on Blu- ray in 2. Darabont also sought unique creature designs to differentiate them from his creatures in past films. Although a monster movie, the central theme explores what ordinary people will be driven to do under extraordinary circumstances. The plot revolves around members of the small town of Bridgton, Maine who, after a severe thunderstorm causes the power to go out the night before, meet in a supermarket to pick up supplies. While they struggle to survive an unnatural mist which envelops the town and conceals vicious, Lovecraftian monsters, extreme tensions rise among the survivors. A meta- reference to this film appears in one of Stephen King's later novels, Under the Dome. Following a violent thunderstorm, David Drayton leaves his wife Stephanie at home while he ventures into town with his eight- year- old son Billy and their neighbor, Brent Norton, to buy supplies for repairs. Arriving at a grocery store, they and the other patrons notice unusual police and military activity. Moments later, a panicked and injured man, Dan, runs into the store, warning of danger. Soon after, a thick mist envelops the store, accompanied by earthquake- like tremors, setting off the town's tornadosiren. A mentally unstable, religious woman, Mrs. Carmody, decides that this is the beginning of Armageddon. A shaken woman (Melissa Mc. Bride), against objections from the others, leaves the store to go home to her children. While investigating the store's generator, a bag- boy named Norm volunteers to go outside, but is snatched and pulled into the mist by a tentacle connected to an unseen monster. Refusing to listen to Drayton, Norton heads outside with a small group to seek help, only to be attacked and killed, prompting the rest of the survivors to barricade the shop- front windows. That night, enormous insects land on and attach themselves to the windows. Moments later, pterodactyl- like animals ram their beaks into the glass, eventually breaking through the windows and allowing the creatures to enter the supermarket. They begin to attack the terrified people inside and kill Sally, a cashier from the store. One of the insects lands on Mrs. Carmody, but doesn't sting her because she keeps still during her prayer. As a result, she starts preaching even more and quickly gains followers among the distraught survivors. In another attempt to help their situation, a small group of volunteers take a trip to the neighboring pharmacy to gather medical supplies. However, things go horribly wrong and two people are killed by giant spiders, causing most of the people in the market to side with Mrs. Two soldiers commit suicide, and a third, Private Jessup, reveals that the local military base was filled with rumors about the Arrowhead Project, the government's attempt to look into other dimensions, and that the scientists responsible for the experiment may have inadvertently opened a doorway into a dimension containing the creatures that are now invading the town. Carmody convinces her followers to blame Jessup and he is stabbed and ejected from the store, quickly falling prey to a large praying mantis- like creature. The following morning, David and eight others secretly gather supplies to flee, but Mrs. Carmody stops them. After stealing the supplies, she gathers her followers and orders them to murder Billy and Amanda Dumfries, only for store assistant manager Ollie to kill her by shooting her with Amanda's gun. Returning to their senses and realizing all that they have done, Mrs. Carmody's traumatized followers reluctantly stand down and allow David's group to exit. As they try to arrive at the escape car, Ollie is eaten by the praying mantis- like creature, Myron and Ambrose are attacked and killed by the giant spiders, and Bud runs back to the market and is allowed to reenter. Only David, Billy, Dan, Amanda, and Irene make it to the automobile. Driving through the mist, David finds his house destroyed and his wife dead. Devastated, he drives the group south, passing destroyed vehicles and seeing a gigantic six- legged, tentacled beast. When they run out of gas, the group decides there is no point in going on. David shoots the others (with their consent, except for his son who is not old enough to understand) rather than have them endure horrifying deaths. When David is done killing all of them, he is left with no bullet to use on himself. He leaves the car and waits to be killed, but the mist suddenly recedes, revealing that the U. S. Army has arrived, managed to close the portal, and are in the process of exterminating the creatures. David also witnesses rescued survivors, and restoring order. Among the survivors is the woman who left the store at the phenomenon's onset, completely unscathed and having rescued her two children. David realizes that his group was only moments away from being rescued. Aware now that their deaths were premature and in vain, he drops to his knees screaming. Thomas Jane as David Drayton, a painter and film- poster artist trapped in the market with his son Billy. Marcia Gay Harden as Mrs. Carmody, a fanatically unorthodox religious figure and the film's antagonist. Laurie Holden as Amanda Dumfries, a married teacher whose husband is away. Jeffrey De. Munn as Dan Miller, a normal civilian who is the first to see the signs of danger from the mist. Andre Braugher as Brent Norton, David's neighbor and an attorney who filed a lawsuit against David and lost. Samuel Witwer as Private Wayne Jessup, a soldier trapped in the market. Toby Jones as Ollie Weeks, the assistant manager of the market. William Sadler as Jim Grondin, a belligerent and weak- minded mechanic. Frances Sternhagen as Irene Reppler, a third- grade teacher. Nathan Gamble as Billy Drayton, David's eight- year- old son. Alexa Davalos as Sally, a cashier at the market who is Billy's babysitter. Chris Owen as Norm, a bag boy. Robert Treveiler as Bud Brown, the supermarket manager. David Jensen as Myron La. Fleur, a mechanic. Buck Taylor as Ambrose Cornell, an elderly man who sides with David's group. Juan Gabriel Pareja as Morales. Ron Clinton Smith as Mr. Mackey, the store butcher. Melissa Mc. Bride as Woman with Kids at Home. Kelly Collins Lintz as Steffanie . He instead filmed The Shawshank Redemption, also based on another King novella. Darabont conceived of a new ending in translating the novella for the big screen. Author King praised Darabont's new ending, describing it as one that would be unsettling for studios. King said, ! It's frightening. But people who go to see a horror movie don't necessarily want to be sent out with a Pollyanna ending. The director saw The Mist as a throwback to Paddy Chayefsky and William Shakespeare, explaining, . Darabont said, ? It's Lord of the Flies that happens to have some cool monsters in it. Darabont did not want to attempt conveying on screen the protagonist being involved in an extramarital affair. The characters in the film, portrayed by Thomas Jane and Laurie Holden respectively, instead share a more emotional relationship. Jane explained, . We become a little unit as we're trying to get through this nightmare together. The scene was never filmed. Filming. Sadler had previously played Jane's role, David Drayton, in a 1. The Mist. Darabont wanted to cast King in the supporting role that eventually went to Brian Libby, an offer that King turned down because he did not want to travel to film the part. The director chose to film with 4. ASA from Fujifilm, which gave footage a grainy effect. The drawing is based on Stephen King's Dark Tower series, and was painted by film poster designer Drew Struzan. Darabont also included re- productions of Struzan's posters and illustrations for The Shawshank Redemption, The Green Mile, John Carpenter's The Thing, and Guillermo Del Toro's Pan's Labyrinth. Struzan would go on to produce a poster for The Mist, but this image was not used in the film's marketing campaign. Cell phones were used by characters in The Mist, but the military police in the film did not dress in modern attire. While an MP also drove an old Jeep instead of a Humvee, other cars seen in the film are modern models. Unlike conventional application of extras in the background of a film, sixty of the hundred extras were interwoven with the film's ensemble cast. Exterior shots of the house at the beginning were in Shreveport. Exterior shots of the supermarket were in Vivian, Louisiana. Also, if looked closely at, the shields on the side of the passing firetrucks early in the film identify them as part of the Caddo Parish fire department. This is possibly a mistake as the film is allegedly set in Maine. Darabont chose to use music to minimal effect in The Mist in order to capture the . The director explained, . I've always felt that silent can be scarier than loud, a whisper more frightening than a bang, and we wanted to create a balance. We kept music to a minimum to keep that v. As a fan of Dead Can Dance, Darabont thought that the song played . |
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